Winter Gothic

The pond was frozen over and the wind had blown renegade snowflakes under the feeble plastic covering the car's cracked windshield. There used to be two cars parked in front of the house on the corner-- two matching Subarus, Mschef and Mschef2. Now Mschef2 was all that was left, deserted, snowdrifts piled along its running boards all winter long, for at least the third running winter in years. Overall, it was the sort of sad winter scene a depressed landscape artist would paint while contemplating if he really needed his left ear; if the world really needs to be heard in surround sound. Even the Canadian geese who hadn't quite made the winter cut-off flying south who were now squatting by the pond looked like they were considering just ending it before having to go through another Vermont winter, and we all know how little comparable intelligence a goose possesses. There's not a gently teasing idiot remark about it for nothing.

I used to drive by about 6 times a week during high school on the way to and from the barn, when it was occupied, in better times, and I remember thinking it looked like the sort of place I would want to know the kind of people who would get matching "Mschef" vanity plates and live in an old clapboard house on a wide corner of a country road and go swimming in their pond in the backyard. They were probably artists, I thought, the two Mschefs-- projects got started, and never seemed to get finished, like the sliding doors on the north side of the house that, while installed, still looked raw around the seams and beams, like someone had found another project to worry at before they could finish fixing the trim. Ms. Mschef was probably a chef or caterer, the sort of a woman who always has a "To Do" list and is methodical yet nonchalant about getting it all done; Mr. Mschef seemed liked he'd be a house painter by day, and an abstract painter by night. Maybe it was the fact that he seemed handy around a house, yet scattered.

The house and car had been left vacant in the middle of those scattered renovations, the impedance unknown-- a divorce; an affair; a death; an unplanned-for birth, perhaps. There are, after all, some things that just can't be explained to a spouse. Why your newborn son looks more like the cashier behind the local general store and why you've been running more "last-minute late night errands" to get supplies for the next day's "intimate rehearsal lunch for 12" is one of them. Now, left all exposed wood and pink insulation tufting out to be mauled at by small mammals and birds to feather their own nests, it resembles so much nothing better than a big stuffed Valentine's Day heart, ripped apart, trailing entrails and the stuff two people thought would be enough to keep them warm. The only sign of life left on the property were those two Canadian geese out by the pond, and even they looked like they wouldn't be sticking around for much longer, if they could help it. After tragedy, sometimes, the stench just remains.

XOXO

Plate Tectonic Theory

I look up, because I've now known you for long enough that I can feel when you're expecting something from me and know when I should look up.

During the moment I catch your original glance, I watch it change into a wide-eyed deer-in-the-headlights thing, and, feeling bad about this nearly voyeuristic glimpse into your psyche, I let my eyes keep going, skittering past yours after the initial catch and blink of surprise, now drifting by each other like two continental plates enacting plate tectonic theory in motion-- somewhere, because of this, a volcano will erupt, or an earthquake will go off.

An unfamiliar prickle begins at the base of my spine; a feeling I've almost forgotten, like the names of relatives you never see anymore. I realize, belatedly, a day later, after the fact, and after the fact that the alcohol I'd been swimming through has now dissolved into my bloodstream like so many other things, to be forgiven and forgotten and generally not thought much of ever again-- it's because you haven't looked at me that way in a Long Time. Nearly, I might even say, nearly a year.

I'd almost forgotten it, but there it was-- I looked to you like something shiny and new.

XOXO

Come Full-Circle

The first night, you made the White Russians with too much vodka. I drank it anyway, and didn't tell you until later, when I was already too drunk to drive home. Thank god you asked me to stay.

The last night, you made me a White Russian, with knock-off Kahlua, and again, too much vodka. I drank it in a rush non-conducive to walking home all the way across town, and was glad when you called me back.

The first night, we slept naked. It was winter-time and cold-- you pressed up against me. I didn't mind too much, other than the Band-Aid-adhesive feeling of peeling my skin off of your thighs when I went to roll over, where your hairs clung to me with sweat.

The last night, we slept naked. One of the last nights of summer, far too hot to touch, I looked at your alien body as it glowed translucently in the dark beside me, all legs and dark patches of hair, and thought about how weird you looked; how weird it was to be looking at you naked, vulnerable, and with your mouth open, snoring.

It was his birthday. We were both drunk beyond judgement. And Lord knows the soft-spot a mile wide for each other is located between both of our legs. It seemed like The Right Thing To Do. A tip of the hat to a shared history and the fact that human beings are remarkably fallible and Have Needs. An old song and dance, revisited. A waltz nearly a year archaic.

The next morning, I woke up, oddly elated to realize that other than a headache that pounded from the bridge of my nose between my eyes (a bull's eye to point where thinking had NOT gone on), I didn't feel any different.

Strange when you've already cared so much that you can't possibly care any more, every last drop of feeling wrung out of you like a sponge in an emotional vice-grip. Not enough emotional range left in you to switch your settings. Oxytocin orgasms over. Spent.

XOXO

Things That People Never Tell You

If feels likes sharks slipping past in the night. The music marks you as guilty, but never has Jaws looked this appealing before.

Cat people thrive on rejection. Maybe, it's the whole feeling given off of "I'm-not-quite-attainable-and-some-of-it-is-partially-at-times-when-you-have-no-fucking-clue-where-I-am-and-find-yourself-fervently-hoping-that-I'm-not-throwing-up-in-your-shoes-to-spite-you-because-you're-not-quite-sure-if-I-really-like-you-or-if-I'm-just-using-you-because-without-your-bed-I'd-be-homeless" way that some women seem to have, too.

Dear Clinique: I am writing to you to report a fallacy in your marketing of your Lash Power Mascara Long Wearing Ultra Waterproof Formula. When my now ex-boyfriend of 2 years broke up with me for another woman with a perm, that shit ran like the Nile.

"I don't tell fairy tales much."

"Please? Just this once? Mommy always tells me fairy tales before I go to bed."

"I didn't birth you, so I don't think those rules apply to me."

"C'mon, just this once. Please?"

"Did you hear the one about the princess and the frog?"

"Yeah."

"Nothing is original these days. Fine. There was this--"

"NO! You have to start with, 'once upon a time'..."

"FINE. ONCE UPON A TIME there was this princess who had really shitty taste in men. I mean, like, forget shining armor, these dudes were lucky if they had a frickin' pair of clean boxers. There were no white horses, no roses, no jewelry, no surprise spontaneous serenading and choreographed dancing, no boom boxes under windows...nothing that every single movie or story themed at girls that you will watch or hear for the next 25 years of your life have. Because that is not real life. That is a fairy tale. And in fairy tales, Prince Charming does not give you herpes. Because as our princess found out, it's really hard to sleep with a lot of douches and not contract something that makes you itch where you just shouldn't. And while he lives happily ever after, spreading his gen-hep-2 to the rest of the female population stunned enough to have sex with him, she did not."

"...you don't ever need to tell me a fairy tale again."

"I warned you. And so you know, Valtrex can only do so much, and stay away from artists. They're like, the power-hungry magicians of the not-fairy-tale world. You'll never be able to find that pair of underwear again. Under their bed is a black hole, and a genie. And your three orgasms were his three wishes, tricking you into feeding, clothing, and blowing that sad little excuse for a Jackson Pollock."

"Goodnight! GOODNIGHT!"

"Goodnight, sweetie. Sleep tight."

XOXO

Of Aliens, Achilles' Heels, And Joints.

My thumbs still crack as much as they used to, tightening and cramping with about as much regularity as you exhibit. In the cold night air, first five wet, clicking snaps go off, starting with one abrupt sound, like a tree branch breaking underfoot in the middle of woods devoid of birds or any other small, noisy creature--then, more hesitantly, with the rasp of skin on skin as the appendages are pulled back manually, the other four fingers go. Crack, snap, click, pop. Then the other five on the other hand, in descending order, an arpeggio of joint, fluid, and bone.

There are people who will tell you that cracking your knuckles like this will swell them up like soft flesh balloons in your old age, penitence for years of self-abusement. People also tell you that you'll go blind from masturbating too much, and that you cannot lick your elbow. Well, I can, so I'll continue on being That Person who does it as a nervous reflex, a self-calming ritual as soothing as sucking your thumb, yet still publicly acceptable at nearly 21. Plus, what if they crack themselves? What if they elect, on their own biological and anatomical accord, to freeze up and crack? I have never had to force my thumbs to release like the trigger of a gun. I have never had to wrestle with them in a pantomime of a singular thumb-war and get them to give and function again. Instead, they always do it on their own-- a tightening, followed by a reflexive bending, at which point the spine of the thumbs give way like the spine of last year's biggest best-seller-- a fictional account of one passively-aggressive, neurotic man's triumph over the impending doom of intergalactic space invaders come to rid the world of it's inhabitants and bring back all the Fluff to their planet of Doom and Fluff-less peanut butter, which has since been opted for a movie, like War of the Worlds but with less Tom Cruise-- as the heel of your foot pushes down on it where it lies, spread-eagle on your bedroom floor, now broken, eternally open to those two pages detailing the struggle between the main character's desire to turn his back on his world and wallow in his own self pity, or to climb through the alien spaceship's air duct and kick some E.T ass, and you look down at the face of your former lover on the back cover's flap, trapped somewhere yet still smiling thinly under your Achilles and you think, "Well, if that isn't fitting?" and then you smile, and mash down on it just a little bit harder, because, you know, you're alone in the privacy of your own house and bedroom, and no one else is around to see your quiet-yet-clicking moment of vindictive triumph about something you should have rightly been over nearly six months ago, after they traded in a huge second book deal and a Lamborghini for your relationship.

After all, life can be stranger than fiction.

---

The thing that I love about writing fiction is that it never ends up ANYWHERE near where I thought it would when I started writing it.

And who knew War of the Worlds stayed with me so intensely, bad acting and all these years later?

XOXO

And P.S-- Yes, I can really lick my elbow.

In Absentia

It's one of those mornings where it feel like marionette strings are pulling me awake and out of bed.

Girl like painted doll-- pale skin, blue eyes lined in black, pink lips. A blink and a small pick at a zit and the illusion is shattered in the mirror, a thousand fragments of life and reality falling to bounce on the tile floor.

I cough and my body clenches and unclenches, throat screaming in pain, wet globs on the sidewalk making a path to where I have been and where I am going like Gretel with tuberculosis. As I sit in class, the ghost of questing fingers creep along the inseam of my jeans, and my skin crawls, bile rising and threatening to revolt. The dust in the street whips through the air and against my cheek, and it feels and tastes and smells completely foreign to me.

Craning my head around to see his face, I realize I am looking for a dead man everywhere, but looking never brought anyone back to life.

I look at the invitation. I consider, carefully, both sides of the response. The weight of a “yes”, the finality of a “no”. Wonder about propositions. Wonder about lies. Wonder about what “having coffee” really means. I have been reading long enough to become excellent at reading in between the lines. Wonder where “coffee” ends and “something more” starts. Wonder where and when the time for explanations is. Wonder about how much sway resemblance has. Wonder if flattery will help. Wonder if I really am that sort of girl. I make my choice. Wait five minutes. Find myself back again, looking at those words. Reconsidering. I leave again. Come back. Decide on one thing at the moment—I desperately, desperately need someone to listen. I realize even as I navigate away that I will accept. Not now, but sometime soon. Sometime soon, I will be back, still needing an ear, a shoulder, some reassurance, a sounding board. Actors have stand-ins; why can’t we have stand-ins for life when the leads come down with something? Isn’t that what’s already in practice? Leading lady; leading man; understudy; stage manager like magician. I feel the tug on the invisible marionette strings again, dragging me across the stage. The audience claps. A brilliant performance. Red and white flowers sent. Red lights flash like strobes. Roxanne without Sting to validate her. No red dress, not tonight. You don't care if it's wrong or if it's right.

The first sob startles me. There's momentary wonder and glances around to see if the sound really came from me. The next thing I know, I am pounding the sides of my fists against the cold tiles of the shower's stall, the weak trickle from the showerhead flowing down my back as I plead with whoever will listen to me through the tears that fall, unnoticed, down the drain with the rest of the water. "Please, please, don't let me shut down again. I don't want to. I don't want to!" The voice is uncanny, desperate, someone speaking from inside of me whom I didn't know existed. She sounds small, scared, exhausted. She sounds like she has something to live for, but no idea how to fight for it.

I have always held that crying in the shower doesn't count. Then again, I've always held that crying is something that shouldn't be done at all.

I listen, even though I have absolutely no answers. If I could do something for you, believe me—I would. If I could afford to lay down enough for both your life and mine, I would. If I could be the kind of girl who runs hot and cold like you do, I would. And if I could somehow reassure you that actually not being afraid to pick one or the other and run a steady temperature won’t end your life or wreck your unknown future, I WOULD, if I had the slightest idea how to go about fixing you.

Broken people don't know how to fix each other any better than a shoemaker can fix a broken camera's lens. It's all about perspective, and if you aren't willing to see it from mine, then there is absolutely nothing I can do for you, no matter how badly you want someone else to do all the work and excavating of your buried skeletons for you. Scars and substances and smoke and mirrors aside, trying to play with your shards like a puzzle yields absolutely nothing but bloody fingers and a bad taste in my mouth-- Colgate and Camel Lights.

Walking away and waiting are pretty much the same thing. Both are about an expanse of time as tangible as miles and walls that need to be hurdled. A phone that doesn't ring is still a phone. It's not like a tree falling in the forest-- it still doesn't make any sound. Effort expended is a life-lesson in physics-- what you give is what you get, and I'm tired enough to not get out of bed anymore on my own accord. The Peroni on the nightstand and the ashtray on the balcony keep track of the fact that I am still alive. The shape under my sheets suggests I am not.

The alarm buzzes constantly. No matter how many times I paw at it, it doesn't stop keeping track of time slipping by. The numbers on the display mean nothing anymore. 7 at night and sleep. 4 AM and awake. 2 and full sunlight and waking up for the first time.

You need like a newborn child; like a ravenous baby; like Romulus and Remus searching for the she-wolf to suckle them, mortal women no good. The mirror doesn't lie well enough to me; the constant checking reaffirms it; the pain and the weakness cinch the deal. Mortal, mortal, mortal. It rings through me like a death knell. There is absolutely nothing I can do for you, if you are not willing to do anything in return.

“In absentia” is more than a role-call response.

XOXO